Sunday, January 30, 2011

Module 2: And to Think That I Saw it on Mulberry Street and The Wind in the Willows


Citation:
Geisel, Theodor Suess. And to Think That I Saw it on Mulberry Street. New York: Vanguard Press Inc., 1964.

Summary:
A little boy, named Marco, is instructed by his father to look for something interesting on his way home from school.  However, all Marco can see is a wagon pulled by a horse.  He then begins imagining ways in which the wagon and horse could be more interesting, eventually turning them into a large parade with all sorts of people and animals.  Marco keeps trying to come up with something better than what he previously added until he makes it home terribly excited.  However, he does not tell his father any of his imaginations.

My Impressions:
This book by Dr. Seuss is an excellent example of a child's imagination, which can turn the mundane into something extraordinary without the confines imposed by the conciousness of how unrealistic they are.  While some of the words used in the book, such as "charioteer," or "Rajah," or "Aldermen" might not be as familiar to children of today as they were to children in 1937 when the book was first published, the story remains relevant to children of all generations who still have imaginations.  In addition, the illustrations in the book, done by Dr. Suess as well, are characteristic of the story.  The illustrations do not attempt to present objects as they truly appear, rather they are drawn in such a way that makes them appear like they belong in a child's imagination.  On the whole, the book is expertly written and illustrated and will surely provide entertainment for children of the future.

Suggestions for the use of this book:
This book could of course be used in a storytime with other Dr. Seuss stories, but could also be used by parents, teachers, and librarians in order to foster and encourage the imagination of young children.

Reviews:
Random House Inc. "And to Think That I Saw It On Mulberry Street." Accessed January 30, 2011. http://www.seussville.com/books/book_detail.php?isbn=9780394944944
"As little Marco describes the horse and wagon he saw on Mulberry Street, they are transformed into an elephant and a band wagon with a retinue of police. 'A fresh, inspiring picture-story book with an appeal to the child's imagination.'"

Citation:
Grahame, Kenneth. The Wind in the Willows. Cleveland: The World Publishing Company, 1966.

Summary:
This book by Kenneth Grahame, which was originally released in 1908, is the story of four animals who live along a river in England.  The story begins when Mole decides that he is tired of his mundane life and therefore leaves his home for adventure.  He makes his way to the river, where he meets Water Rat, who quickly introduces him to a life of leisure which includes boating and lavish picnics.  During their time together, Mole is introduced to Badger who is an older animal that shuns socializing and formality.  Badger also proves to be the unofficial leader and helper of many animals in the wild wood adjacent to the river.  In addition, Mole is introduced to Mr. Toad who is the wealthiest animal along the river, and as such lives in a large residence called Toad Hall.  Mr. Toad squanders much of his wealth by taking up one hobby after another with disasterous results.  Throughout the story, Badger, Mole, and Water Rat must come to Mr. Toad's aid even though he selfishly takes them for granted.  Ultimately, the animals regain Toad Hall, after it is taken over by weasels, and Mr. Toad changes his selfish and frivolous ways.

My Impressions:
This book is an excellent read, although for younger children it might be considered boring.  The book is a classic, but it is not as commonly read as Dr. Seuss' books for instance.  I believe that the book loses some appeal because it might be hard for children to relate to animals with which they are not familiar, such as moles or badgers.  These are not animals which are common in every place.  Also, given that the book is over a century old, and was written by a British author several of the terms will be unfamiliar to many children and even some adults.  However, the themes of the book such as friendship, humility, and thinking of others remain classic in any age.

Suggestions for the use of this book:
This book, or portions of this book, could be use to demonstrate to children the consequences of being selfish, and how to be humble in their friendships with others.  This could be done through the use of storytimes, but also by having children act out various parts of the book taking turns being different characters.

Reviews:
Williams, Pat. Review of The Wind in the Willows by Kenneth Grahame. Children's Literature.
Mole is content with his life. One day, as he is spring-cleaning, he comes out of his hole at Mole End. He begins to wander the English countryside. Every experience is new for Mole. Never had he taken a boat ride, been in the woods, or seen a river. More adventures await him when he meets Mr. Toad, Badger, and Water Rat. There are gypsies, jailbreaks, motorcars, and a weasel rebellion to make his life more exciting. The story is fast moving and should keep the interest of a child. Humorous, with some subtle lessons, this has been a childhood favorite for some time. Life in the country is peaceful and holds the prospect of an adventure as four animals friends set out on a journey. The talking animal protagonists are exceptional. Although they all have their individual foibles, they are likeable, individual, and real. The story depicts life in Britain during the turn of the twentieth century.

Sunday, January 23, 2011

Module 1: Bats at the Library


Citation:
Lies, Brian. Bats at the Library. Boston: Houghton Mifflin Company, 2008.

Summary:
This children's book, written and illustrated by Brian Lies, tells the story of a group of bats who spend their night in a library.  Throughout the night, bats of all ages find several activities to take part in, as well as many books and stories in which they become engrossed.  Activities include games, storytime, and book club discussions.  At the end of the book, the bats have to leave before day breaks, and all are disappointed to leave in the middle of all of their fun.

My Impressions:
This book appears to be a well written and illustrated book.  The book is written and illustrated in such a way that, even though the main characters are bats, children will be able to easily put themselves in the place of the younger bats.  The children will be able to recognize some of the classic children's stories represented in the book such as The Wizard of Oz and Little Red Riding Hood.  In addition, the rhyming scheme involved in the book makes the story flow easily and quickly.  Like the bats at the end of the story who are disappointed to see their night end, children will most likely be disappointed to see this story come to an end.

Suggestions for the use of this book:
This book can be used by parents in order to get their children excited about going to the library, and can be used by librarians in instructing children on using the library.

Reviews:
Lukehart, Wendy. "Bats at the Library." School Library Journal, November 1, 2008.
In this companion to Bats at the Beach (Houghton, 2006), Lies pays homage to the pleasures to be found within libraries and books. The story opens on three winged creatures clinging to an autumnal branch against the backdrop of evening. Observant readers will recognize the young bat with yellow "water wings" from the earlier title and notice that the chimney and trees at the top of the page point downward—a cue to attend to perspective. The bats are bored, but an antidote is announced: someone left a window open in the library. The golden glow from spotlights on the side of the building and an Arts and Crafts-style reading lamp illuminate the nocturnal adventures in this handsome, traditional space. The bats cluster according to interests. Some peruse "guides to fancy foods" (insect books) and form literary discussion groups. The younger mammals make images of themselves at the copier, frolic in the fountain, play at the computer, and explore the gingerbread castle in a pop-up book. An impromptu storytime brings everyone together, however, and after the pint-size protagonist is literally drawn into the featured book, two spreads reveal a montage of scenes from classic stories, with bats in the starring roles. Lies's acrylics are a successful fusion of fantasy and reality. The rhyming narrative is generally smooth, with enough humor and sophistication to propel readers along. And who can argue with the message?

Publisher's Weekly, August 2008.
Lies's (Bats at the Beach) much-lauded bats are back and the library's got themthanks to a window left open by an unsuspecting (or perhaps sympathetic) librarian. Although the young ones initially misbehave (they make photocopies of their bodies and turn the water fountain into a splash pool), Lies cuts them a little slack: It's hard to settle down and read/ when life flits by at dizzy speed. Story time settles everyone (upside-)down, and soon the furry creatures are completely swallowed up in books, giving Lies comic license to bat-tify the signature visuals from classics like Make Way For Ducklings; Pippi Longstocking; Goodnight, Moon and Peter Rabbit. As with its predecessor, this book's richly detailed chiaroscuro paintings find considerable humor at the intersection where bat and human behavior meet. But the author/artist outdoes himself: the library-after-dark setting works a magic all its own, taking Lies and his audience to a an intensely personal place.

Perkins, Linda. Booklist, October 15, 2008.
An open library window is an invitation for a colony of bats in this sequel to Bats at the Beach (2006). Once inside, older bats look for favorite books, while younger ones explore and play. Storytime settles everyone down and transports them into the tales, filled with bat characters playing new roles. The bat homage to classic children's books includes titles like Goodnight Sun, while images such as Little Red Riding Bat will amuse children who are familiar with the originals. The rhymed narrative serves primarily as the vehicle for the appealing acrylic illustrations that teem with bats so charming they will even win over chiroptophobes.